lunes, 27 de agosto de 2018

August 27, 2018
National Museum of Modern and Contemporary
 Art, Korea
Konkuk University Library (The present Konkuk University Language Institute), 1956. Courtesy of Kimchungup Architecture Museum.  


Architecture, architectural sculptures and installations emerged alon
sideminimalism on theglobal art scene during the 1960s. 
collision of art and architecture is

one example of the opening up of the traditional artistic disciplines and has
evolved to create integrative collaborations using diverse media, 
supports and materials. Kim Chung-up Dialogue ruminates over the
hybridization of art and architecture in Korean society. The focus is
on the works and activities of architect Kim Chung-up (1922–1988)
 whose artistic legacy has not previously been studied in depth. Rather
 than seeing his work as part of a global trend, this exhibition focuses 
in examining the Korean context within which Kim Chung-up’s work 
was produced..
Kim Chung-up Dialogue is an exhibition co-hosted by National Museum of 
Modern and Contemporary Art, Korea and Kim Chung-up Architecture Museum
 to celebrate the architect on the 30th anniversary of his death.
 Kim Chung-up is renowned as a master of Korean modern architecture who 
 best known for designing the Samil Building and the French Embassy to Korea,
both in Seoul. He is known for his unique architectural style that combines
 modernism based on the architectural formality of Le Corbusier—
who he served a 
-year apprenticeship under—and the Korean traditional architectural
 sentiment
and form.
This exhibition aims to fill in the gaps left by previous research on
 Kim Chung-up as well as chronicling his career in order to explore 
his work in more depth. It looks back to when he launched 
Kim Chung-up
 Architecture Studio after his time in France and studies what forces 
the artistic and architectural vision he ultimately realized. 
The following  guided how the exhibition examined Kim Chung-up 
and the political, 
 economic, social and cultural context he existed in: globalism and localism;
 artistic thinking and practice; city and desire (city and production); 
 memory and regeneration. By using these guidelines we hope to gain
a better understanding of Kim Chung-up’s legacy.